Week 4 at the CreativiTEA Rooms: History, Myths and Truth …


Welcome to our final week sharing of the conversations and exchanges at the CreativiTEA Rooms. Hosting our tea party this week were three storytelling historians, all with a very creative twist on how history can be made more vivid and relevant to primary pupils today.

The talking points were surprisingly convergent: the importance of communicating a sense of immediateness and visceral understanding of historical lived experience; the value in understanding timelines so that pupils can have a sense of  history as a connected and still unfolding whole; their hope to inspire teachers to more confidence in working with music and storytelling.

David Trouton brought music notation and human history together and shared a very creative way of demonstrating a 40,000  linear timeline by physically unrolling a 400 sheet toilet roll through the school. Each sheet represented 100 years of human history and the pupils in David’s workshops were able to track backwards century by century noting the key landmarks – and uncovering the chronology of music along the way. The work of Frances and Jo from Electric Voice Theatre strongly identified with David’s. Their festival workshops worked with children on a mapped floor grid to create a musical score using The Great Tapestry of Scotland as resource and inspiration. Both creative projects encouraged a highly interactive and physical approach which the pupils and teachers found enjoyable and stimulating.

Allan Burnett hosted on Tuesday and there was much discussion about how to connect with pupils in the short time frame of a workshop so that their experience is immediately different. Capturing pupils imagination and stimulating their creativity while inviting their sense of fun and adventure can, in the early stages, seem at odds with the teacher’s discipline and behaviour code. The two roles of artist and teacher can be very different but everyone agreed on the benefits of navigating those differences and finding  a positive partnership approach.

The issue of historical interpretation was discussed, and specifically in relation to the anniversary of the Great War and how writers and storytellers can enliven pupils understanding to discover greater truths beyond the facts, through creativity. Creative practitioners often bring the courage, freedom and curiosity to look at all facets of human experience and to relate that to the feelings and experiences of children today. Many boys, no matter how much they are discouraged, still find ways to make weapons and engage in battles with their friends. In current literature, the joy of going to war, the excitement of defeating the ‘enemy’ is now being written about and understood, alongside the well documented and depressing evolution of that experience.

This topic was also touched on during our Wednesday Specials Board when Andy Cannon talked about the importance of imagination to create a fictional or personal or emotional story within the context of historical dates and facts. He explored the idea that the play acting of battle, for some, might be an important stage to go through, in order to come out the other side and be able to explore all the facets of war in a more nuanced way. It was part of a deep and stimulating discussion with many around the table opening up and sharing their own thoughts, beliefs and experiences.

This openness and exploration of individual response seems to sit at the heart of creativity and perhaps goes some way to explain the value of artistic and creative practitioners in schools. Our different art form artists stepped into the schools bringing their resources and ideas and selves to the experience and they created enough space for the children to express, interact and discover in a multitude of ways. And the result is… that we all get to learn from each other.

This is the last CreativiTEA Rooms update for the Festival as the tea rooms are now closed! But there will be more photos and a final round up to come next week, sharing more festival photos and capturing some more aspects of the wide ranging creative conversations from the last 4 weeks….

Arts Across Learning Festival 2014: Week 3


Below is a wee overview of some of week 3 of the Arts Across Learning Festival in images – a week that was full of authors, dance, theatre, physical activity, music, historic archives, printmaking and a shadow puppet theatre in a caravan!

This week is the final week of the Festival, can’t believe it has come around so quickly! It is also the last chance to come along to the CreativiTEA Rooms from 4 – 6 pm at Aberdeen Arts Centre each festival day. As well as the usual open drop in with artists and teachers popping by for a cuppa, a fine piece and a natter, tonight composer and musician David Trouton will be our Tea Rooms “artist in residence” and tomorrow we have writer, historian and performer Allan Burnett alongside the lovely folk from MAKE-aberdeen. Wednesday sees our last Specials Board taking place, with storyteller and theatre maker Andy Cannon in a conversation about passing on Scotland’s history to children and young people using creative approaches and drama. And Thursday is the last CreativiTEA Rooms and the festival close!

All of the Tea Rooms artists have been involved in the festival so come along for a blether, find out more about their festival workshops and what else they get up to, and generally pick their brains! See you there!

Creative Exchange, Fun and Learning in Week 3

Week 3 of the Arts Across Learning Festival brought creativity, challenge and learning to our all important pupil participants, but also to their teachers, the workshop artists and venue staff, and to us, the management and front of house team!

Out and about this week we dropped in on Paper Pop, an interactive and storytelling workshop led by Kelly-Anne Cairns and Melodie Stacey, where Primary 2 from Brimmond Primary School made beautiful flying butterflies and birds:

And then with the P7s from Ferryhill Primary School as they learned about living in the Arctic from the diaries of David Cardno, a 13-year old stowaway in 1866 who went on to spend his life as a whaler in the Arctic. The Special Collections team at the Sir Duncan Rice Library were able to show the pupils the actual diaries as an inspiration, before visual artist Tracey Smith helped them replicate the whaler’s activity of scrimshaw using screen printing methods. Cake for anyone who knows how the term ‘sciving’  came into use? (Clue is in the last paragraph!)

The end of day exchanges at the CreativiTEA Rooms have been fun and inspiring with the added bonus of tea and cake making it a great place to wind down or gear up. Please pop in Monday – Thursday next week which is sadly the final week of the Festival. If you can’t make it please join in our conversations on the blog – we would love to hear from you!

Tell us about your experiences of the workshops, your ideas about creativity, or who inspired you (or otherwise) and even share tips about how to make the most of the workshops. You can also comment on any of the themes which came up during the week – see whistle stop tour below.

This week we were joined in the Tea Rooms by lots of festival artists and partners including Tawona Sithole, Anthony Schrag, Michelle from Aberdeen Performing Arts, Sara Sheridan and Emma Snellgrove, Aberdeen City Archives, Gordon Highlanders Museum, Adventure Aberdeen and Fly Right Dance Company.  At Thursday’s Specials Board session Tracy Smith described her work and experiences working as a freelance artist with McManus Galleries in Dundee, sharing the ups and downs of her career as well as lots of practical tips and advice for emerging artists and students to take away. We had a packed house of students and teachers alongside our other commissioned artists and writers Kelly-Anne Cairns and Melodie Stacey, Linda Cracknell, Little Fawn Caravan Theatre and the M6 Theatre Company.

A whistle stop tour of the key themes which came up during the week:

Strong partnership approach is essential; Process of delivering a workshop is a learning experience for everyone; How getting it wrong is normal; What is the balance between enforcing discipline and encouraging focus; How do you create enough space for spontaneity and fluidity to take the workshop in other directions; Devising workshops so that the artist leaves having opened up a space for further activity and exploration; How Place affects us…..

There’s only a week left of the festival, and the blog, so let us know what you are interested in and what you want to hear more about and we’ll try our best to cover it in the remaining posts.


Arts Across Learning Festival: Week 2

A few pics from week 2 of the Arts Across Learning Festival as we head into week 3! And in the CreativitTEA Rooms this week:

Monday 10th March: Anthony Schrag; Tuesday 11th March: Aberdeen Performing Arts; Wednesday 12th March Tawona Sithole; Thursday 13th March: Tracey Smith – all of whom are also delivering festival workshops this week either in cultural venues or schools in Aberdeen City, along with Visible Fictions, Fly Right Dance Company, Fiona Milligan Rennie, Little Fawn Caravan Theatre Company, Linda Cracknell, Kelly-Anne Cairns, Melodie Stacey, Emma Snellgrove and Sara Sheridan!

Arts Across Learning Festival 2014: Week 1

A few pics from the first week of the 2014 Arts Across Learning Festival! Looking forward to week 2 getting underway on Monday 3rd March, with a fantastic list of events including Catherine Wheels Theatre Company, Alec Miller, Aberdeen Performing Arts, Soundsites, Nancy Fuller, Jess Smith and Ewan Cameron all going into city schools, Robert Aitken at the Gordon Highlanders Museum and Fiona Milligan Rennie at the Aberdeen Maritime Museum. And of course the CreativiTEA Rooms every day from 4 – 6 pm  at Aberdeen Arts Centre! See you there….

Weaving Creativity Through Education


The Arts Across Learning Festival has kicked off and the CreativiTEA Rooms are open! It’s been a busy week with the festival launch on Monday and festival artists popping in and out, including the fabulous chamber ensemble Daniel’s Beard, creative facilitator Alec Miller, author Joan Lennon, and Half Moon Theatre Company. Illustrator Moira Munro led a Tea Rooms session on Tuesday with a really mixed group chatting about the key benefits of creativity in education and using creative approaches to explore difficult issues with teens such as self harm and depression, and textile artist and champion knitter Carol Meldrum yarn bombed the tea rooms on Wednesday!

Today’s session promises to be stimulating, with Resonate artists in residence Paul Gorman and Katherine Morley talking about their roles as Creative Catalysts within Aberdeen University’s School of Education and leading a discussion exploring what utopia for creativity in education  might look like. And of course drinking tea. And eating cake. Hope to see you there!

Thurs 27th Feb   Resonate: Weaving Creativity through Education

What would creativity in education’s Utopia look like? Join artists Katherine Morley and Paul Gorman as they talk about their involvement as Creative Catalysts with the University of Aberdeen’s School of Education in 2013-14 and playfully explore what factors support quality in creative learning.

CreativiTEA Rooms, Aberdeen Arts Centre, 4 – 6 pm – the session will be flexibly structured to allow for dropping in or coming to stay for the whole session.